建筑俱乐部 首页 资讯 人物 查看内容


ArMaster 2011-12-1 23:30 来自: 建筑中国俱乐部

简介 :“我绝不是个好学生。我总是喜欢在课堂外自学。在我大概18岁的时候,我开始拜访京都和奈良的庙宇,神龛和茶室,那里有很多伟大的传统建筑。当时我通过实地参观来和读书来学习建筑学。”

Tadao Ando was born in 1941 in Osaka, Japan. Growing up in that city as Japan recovered from the war, Tadao Ando spent the most of time out of doors, and was raised by his grandmother, whose name was "ando". From the age of 10 to 17 Tadao Ando worked at local carpenter, where Tadao Ando learned how to work with wood and built a number of models of airplanes and ships. His studying was very unusual. "I was never a good student. I always prefered learning things on my own outside of class. When I was about 18, I started to visit temples, shrines and tea houses in Kyoto and nara; There's a lot of great traditional architecture in the area. I was studying architecture by going to see actual building, and reading books about them." His first interest in architecture was nourished in tadao's 15 by buying a book of Le Corbusier sketches. "I traced the drawings of his early period so many times, that all pages turned black," says Tadao Ando: "in my mind I quite often wonder how Le Corbusier would have thought about this project or that."
Tadao Ando took a number of visits to the United States, Europe and Africa in the period between 1962 and 1969. It was certainly at that time that Tadao Ando began to form his own ideas about architectural design, before founding Tadao Ando Architectural & Associates in Osaka in 1969. Tadao Ando 's winner of many prestigious architectural awards, for example Carlsberg Prize (1992), Pritzker Prize (1995), Praemium Imperiale (1996), Gold Medal of Royal Institute of British Architects (1997) and now is one of the most highly respected architect in the world, influencing an entire generation of students.
The first impression of his architecture is its materiality. His large and powerfull walls set a limit. A second impression of his work is the tactility. His hard walls seem soft to touch, admit light, wind and stillness. Third impression is the emptiness, because only light space surround the visitor in Tadao Ando 's building.
Other things that had influenced his work and vocabulary of architecture is the pantheon in Rome and "enso", which is mysterious circle drawn by zen-budhists and symbolizing emptiness, loneliness, oneness and the moment of englightment. The circle and other rigorous geometrical forms are the basic forms of Tadao Ando 's art presentation.
First Tadao Ando 's realisation was Row House in Sumiyoshi, Osaka in 1975. This mentioned building was a simple block building, inserted into a narrow street of row houses. This residence is immediately noticeable because of its blank concrete fasade punctuated only by doorway. The whole object space is divided into a three equal rectangular spaces, while the central part is atrium. The space nearest the doorway contains the living room at ground level, and the bedroom above. The last final space contains the kitchen and bathtroom below, and the master bedroom above. Build in the wooden residential area above the port city of Kobe.
The Koshino House, second realisation of Tadao Ando, was completed in two phrases (1980-81 and 1983-84). This house is a masterpiece, and collects all fragments of Tadao Ando 's architectonical vocabulary, mainly the light. "Such things as light and wind only have meaning when they are introduced inside a house in a form cut off from the outside world. The forms I have created have altered and acquiered meaning through elementary nature (light and air) that give indications of the passage of time and changing of the seasons."
All Tadao Ando 's work is characteristically simple, and we can find similar forms in the first half of 20th century: "I am interested in a dialogue with the architecture of the past", Tadao Ando says, "but it must be filtered through my own vision and my own experience. I am indebted to Le Corbusier and Ludwig Mies van der Rohe, but the same way, I take what they did and interpret it in my own fashion."
One of the first projects to bring international attention to Tadao Ando was his Rokko Housing I. (Kobe, Hyogo, 1981-83), which is situated much further down the slope of the Rokko Moutains than the Koshino house, this complex is wedged into a restricted site on a south-facing 60 degrees slope. Each of the 20 units is 5,4 x 4,8 m in size, and each has a terrace looking out towards the bush harbour of Kobe. Why was this monumental resident building so successful ? " I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible."
Some years later, Tadao Ando build a second housing complex, adjacent to Rokko Housing I. (Rokko Housing II.). Four times larger than the original building, this structure includes 50 dwellings, designed on a 5,2m square grid. A third and even larger structure is now under way above Rokko Housing II. (Rokko Housing III.), under construction.
Tadao Ando 's most remarkable works are certainly the religious buildings. "I feel that the goal of most religious is similar, to make men happier and more at ease with themselves. I see no contradiction in my designing christian churches. " Tadao Ando has build a number of christian chapels and other places of religion and contemplation. One of the most amazing church is also one of his simplest. The church of the light (Baraki, Osaka, 1988-89) is located in a residential suburb 40 km to the north-east of the center of Osaka. It consists from a rectangular concrete box crossed at 15 degrees angle by freestanding wall. The bisecting wall obliges the visitor to turn to enter the chapel. As ever with Tadao Ando, entering a building requires an act of will and an awareness of the architecture. In an unusual configuration, the floor descends in stages toward the altar, which is next to the rear wall, whose horizontal and vertical openings form a cross, flooding the space with light.
安藤最 引人注目的作品无疑是他的宗教建筑。“我感觉所有宗教的目标都很相似,那就是使人们自己更加幸福,更加安适。这与我设计的基督教堂相一致。”安藤建造了许多小基督教堂以及其他宗教与冥想的场所。其中最令人惊叹的作品也是他最简单的作品。光之教堂(茨木市,大阪府,1988-1989年)坐落在距离大阪市中心东北方向40公里的一处郊区的居民区。它由一个矩形混凝土箱体结构与以15°角穿插其中的独立式墙体组合而成。这道一分为二的墙体将参观者引入整个教堂。正如安藤一贯的理念,进入一座建筑需要一种动机与对建筑的感知。在这个不同寻常的结构内,教徒的座位高于牧师的神坛,神坛背面的墙上有道水平与垂直的开口,从而形成了使光线涌入的十字架。
Awaji is the largest island of the inland sea, set 600km to the south-west of Tokyo opposite Kobe in the bay of Osaka. Here, on hill above a small port, Tadao Ando build his Water Temple. Following a small footpath, the visitor first sees a long concrete wall, 3m high, with a single opening. Through this door one does not find an entrance, but rather another wall, blank, but carved this time, bordered by a white gravel path. Having walked past this new screen of concrete, the visitor discovers an oval lotus pond, 40m long and 30m wide. In the centre of the pond, a stair way descends to the real entrance of the temple. Below the Lotus Fond, within a circle 18M in diameter, the architect has inscribed a 17.4 m square. Here, within a grid of red wood, a statue of buddha turns its back to the west, where the only openings admits the glow of the setting sun. In this place at sunset the words of Tadao Ando can be more clearly understood: "architecture," Tadao Ando says, "has forgotten that space can be a source of inspiration." The other religious buildings are: Water Temple in Hyiogo, Meditation space UNESCO in Paris, etc.
The Children's museum (1988-1989) is located on a large wooded hillside site overlooking a lake near the city of Himeji. In this mature work of Tadao Ando, the visitor is invited to discover the architecture in relation to its natural setting. The main unit of the museum contains a library, indoor and outdoor theatres, an exhibition gallery, a multipurpose hall and a restaurant. The outdoor theater is located on the rooftop, with a spectacular view of the lake. A stepped waterfall and pool near the building also serve to make a connection between the museum and the scenery of the lake. A path, marked by a long concrete wall leads the visitor away from the main structure toward a workshop complex consisting of a two-story square building.
Along this path Tadao Ando has placed a surprising group of 16 concrete columns in a square grid. In their wooded setting, these 9m high pillars recall that the first columns in architectural history were inspired by trees. Just down the road from the children's museum Tadao Ando designed the Children's Seminar House (1991-92). A residence for schoolchildren on vacation, which is capped by a small observatory. The other museums are: The Museum of Literature, Naoshima Contemporary Art museum, Chikatsu-Asuka Historical museum, etc.
There are many islands in the many islands in the inland sea of japan that are architectonicaly designed into a small cities. There are projects like naoshima museum and hotel (1990 - 92 and 1994 - 95), located at the southern end of island naoshima, and the great project for Awaji island, Hyogo. It was designed in 1992 and from year 1997 is under construction. This north - eastern shore of Awajishima. Tadao Ando describes it: "The program is for multi-use facility including a botanic garden, a place for the study of horticulture, an open-air theater, a convention hall, a hotel and a guest house. Our first idea was to restore the greenery, more specifically to hold a flower exposition there and to develop the idea into a permanent garden. We called this the millenium garden, and the project was developed on the basis of that concept. It was decided that the facilities would be linked by living things, that is, plants such as trees and flowers, and the flow of water and people. The alhambra in granada provides a historical model.
Tadao Ando is the world 's greatest living architect. If Tadao Ando has one weakness it may by a difficulty in translating the grandeur of his smaller buildings to a larger scale.
收藏 分享 邀请








站长推荐上一条 /1 下一条